Britten’s Four Sea Interludes depicts foreboding ocean moods and a vicious storm. Takemitsu’s I hear the water dreaming, featuring Principal Flute Robert Langevin as soloist, portrays the role of water in an Aboriginal Australian myth. John Luther Adams’s Become Desert dramatizes one of the many consequences of human activity on our planet. The composer regards the work as “both […]
Britten’s Four Sea Interludes depicts foreboding ocean moods and a vicious storm. Takemitsu’s I hear the water dreaming, featuring Principal Flute Robert Langevin as soloist, portrays the role of water in an Aboriginal Australian myth. John Luther Adams’s Become Desert dramatizes one of the many consequences of human activity on our planet. The composer regards the work as “both […]
Britten’s Four Sea Interludes depicts foreboding ocean moods and a vicious storm. Takemitsu’s I hear the water dreaming, featuring Principal Flute Robert Langevin as soloist, portrays the role of water in an Aboriginal Australian myth. John Luther Adams’s Become Desert dramatizes one of the many consequences of human activity on our planet. The composer regards the work as “both […]
String Ensemble and Choir performing: Bach: Cantata 61, “Nun komm, der Heiden Heiland” Schubert: “Wehmut,” D. 825 (TTBB) Bach: “Wir eilen mit schwachen,” from Cantata 78 (SA) Soprano Soloist: Schubert: Mass in G, D. 167